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Current Tour
Okan' Nijo (One)
This production encapsulates the Bode Lawal Dance Technique. The first half of the evening revisits ‘Clockwork’ and a new short Duet ‘Glory’. The second half takes us on a revealing journey across continents with a new piece explored in Brazil, India and China.
AIDURONIJO (CLOCKWORK)
This piece oscillates within the different components of time through intricate interaction and precise movements. It introduces the concept of Bode Lawal's Dance Technique, with music by international jazz/classical composer, Tim Garland and live music directed by Bode Lawal.
OGO (GLORY) NEW WORK
In today's endless human pursuit of material goals we often ignore the fulfilment of God to guide our thoughts with thanksgiving and glorification of all the things we take for granted in our daily lives.
OKAN' NIJO (ONE) NEW WORK
Commissioned by ARC, Stockton on Tees. The complex evolution of dance throughout diverse cultures, across continents and through time has produced a vast array of styles and techniques. Cultural tastes in music influence movement and styles are developed and enhanced through changing trends. Yet still the commonalities exist. The roots are still visible and can be traced back to a single thread. One point of origin. From this point of origin to today's mix of divergent dance forms the underlying spirit of dance remains the same.
The story behind 'One'
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The story behind 'One'
Venturing into our 21st year, Okan’ Nijo was always destined to be a special work for the company. Coming on the back of the 2007/07 groundbreaking “Clockwork” it was only natural for Artistic Director, Bode Lawal to look for a new challenge and push the boundaries of APD even further. The artistic concept wasn’t the only challenged faced by the artistic director. Following an award winning production brings its own challenges and expectations.
Bode Lawal describes his technique and Post Traditional Dance Theatre as dwelling in realms of humanity. So the concept of exploring the common thread that exists between dance styles from various cultures, weaving together a universal platform for dance was no surprise.
On the mention of the concept of Okan’ Nijo (ONE), one may be forgiven for expecting a demonstration of dance styles from different countries. This would be an easy cliché to exploit and, worse yet, it would be misleading. The vision was to capture the spiritual and cultural concepts of dance and present it through an idiom that goes beyond national and cultural boundaries. Realising this vision required inspiration above all.
Inspiration was found through research with some remarkable collaborators, each with an in-depth connection and understanding of the spiritually and evolution of their art form. Each of these collaborators has made a seamless connection between traditional concepts of dance and the demands of a “modern” society.
Due to budget restrictions the research was limited to Brazil, India and China. In each country we encountered an approach to dance that gave direct access to understanding their way of life. This was vital in realising the vision of ‘Okan’ Nijo (ONE).
In Brazil, working with Rosangela Silvestre, we found practices in dance that maintained strong links to Yoruba traditions of Nigeria, with the orisas (deities) still having a strong influence in all areas of life. In India we worked with Surupa Sen and Usha Venkateswaran where we explored different traditional dance forms. We found strong connections between the god Shiva (Hindu) and the orisa Sango (Yoruba). Our collaborator in China was the acclaimed artistic director of City Contemporary Dance Company, Willy Tsao. We explored indigenous dance styles from various regions including Mongolia and southern China. China provided an intriguing insight into dance that reflects the human spirit and condition.
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NEW PRODUCTION
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AUDITIONS
Male & Female Dancers Wanted.
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MASTER CLASSES
27th July.
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